Let them do what they do best and hear out their suggestions. Give great detail to them and leave your preconceived notions at the door. Making sure that they’re not stretched too thin and can give each client undivided attention is a good idea.ĭo you have any advice for potential customers? They are very interested in my feedback and listen to our needs. I’ve worked with other agencies that end up dismissing what we’re saying as clients, but that is not the case with The Fantastical. You’d expect a team that good to be stilted, but they’re very humble. They can sometimes finish our sentences for us because of how well we’ve gotten to know each other. They’re extremely humble and flexible, too. They’re one of the most down-to-earth, authentic teams that I’ve ever worked with, so they’ve been very successful. What did you find most impressive about them? Making changes quickly is very necessary for us, and they’re nimble enough to that. Their team keeps the project moving-our business is very fast-paced so their speed is great. I communicate with our account person multiple times per day sometimes, so they’re always available. How did The Fantastical perform from a project management standpoint? The feedback on their work has been excellent, so far. Readers who attempt to escape reality in a good book may find that there are very real lessons to be learned in even the most fantastical stories.What evidence can you share that demonstrates the impact of the engagement? For instance, Sauron's ring in The Lord of the Rings represents evil and greed, and its destruction symbolizes the triumph of good over evil. Many fantasy stories contain elements meant to be read on a symbolic level. While fantasy is not strictly true, many fantasy writers argue that their stories convey truths about society and the human condition. The magical community in the Harry Potter series, for example, or the land of Dictionopolis in The Phantom Tollbooth, are intentionally distinct from the reader’s reality. While traditional myths and fairy tales operated within the rules of our world and often suggested that their magical elements might just be possible, modern fantasy clearly removes the reader from the reality of the modern world into a new realm, with its own laws and realities. Today, modern fantasy generally includes detailed world-building. Tolkien, author of The Hobbit and The Lord of the Rings, is credited with revolutionizing the genre by drawing it beyond the realm of children’s literature and winning over an adult audience. George MacDonald’s The Princess and the Goblin and Lewis Carroll’s Alice in Wonderland are two of the most influential Victorian fantasies. The course toward modern fantasy, however, began in the Victorian era when writers began developing their own distinct fantastical worlds, rather than building on established cultural tradition. The basic elements of fantasy have existed for centuries, and fantasy has roots in ancient myths, legends, and fairy tales. Characters in fantasy stories often live in a pre-industrial setting with limited technology, other than the advantages of magical power. Fantasy stories often contain elements of medieval life, such as castles, knights, kings, magical swords, and references to ancient spells. Unlike science fiction, which is generally set in the future, fantasy is commonly set in the past. Events in a fantasy operate outside the laws of the real universe and typically involve supernatural elements, like magic or magical creatures. As its name suggests, the literary genre of fantasy refers to stories filled with imaginary and unrealistic elements. The fantastic, a related word, also describes something that is imaginary and unrealistic. The word fantasy refers to an illusion or an imaginative idea.
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